A data scientist has crunched the numbers and found the most (and least) heavy metal words in the English language.
Delivered hauntingly slow and with sonic menace, Native Gold’s brand new EP “A Man We All Admire” appeared in my inbox and I haven’t stopped listening to it since!
Playlists are created to match every tempo of our lives, but what if the pace of music could be directly controlled by our pulse? Jonathan "j.viewz" Dagan has been working on this with an interactive music video for his song Almost Forgot, which scans your heartbeat and matches the song's tempo to suit.
Chances are you may not have heard of Port Of Est. But after receiving their new single 'Clash,' you need to listen to their brand of atmospheric electronic pop.
Plenty of work has already been done in creating eye- and face-tracking technology, which helps the paralysed to communicate. But what if you want to have some fun? What if you want to create music? That's where Andreas Refsgaard and his new app, Eye Conductor, come in.
Researchers at Georgia Tech have created a wearable robotic, which transforms drummers into three-armed machines even the experts of speed metal would be jealous of.
Alternative rock is a difficult genre to get into, and London quintet FADES hope to make a statement with their punchy new self-titled EP, set for release on March 11th. We were lucky to get an early listen, to answer a simple question: does this stand a chance of at least appearing on the radar?
Vinyl has risen from the dead over the last nine years, under the guise of superior audio quality and the full package of liner notes. This trend has led to the likes of Sony and Panasonic introducing record players recently.
Wired magazine has even gone on to write about how vinyl records won CES 2016 and while this is true, I believe we're giving records a lot more credit than they're due.
The reason: they are never played.
So Apple Music has launched in over 100 countries today to a fanfare of excitement. On paper it seems like the streaming service everybody has been waiting for for years (or have given up waiting for in favour of Spotify). With the added perks of an whole music solution including global radio and a social element for exclusive content from your favourite artists, it seems to be a metaphorical slam dunk.
Not too happy with Mumford & Son's recent turn to electronic? Missing the likes of Red Hot Chilli Peppers and The Levellers? Allow me to introduce you to Quiet Quiet Band, the Reading based alternative folk/rock band with the odd combination of a classically trained violinist and a death metal bassist.
In a deep exploration of his own depression, Vince Grant has created his debut EP, fittingly called My Depression Is Always Trying To Kill Me. However, he hasn't just recorded his own coping mechanism, this is a really enjoyable listen for anybody who enjoys the likes of REM and Manic Street Preachers.
Drummer Jason Barnes was electrocuted two years ago, which resulted in the amputation of his right arm below the elbow. To most, this would be the end of any dreams of drumming; but thanks to a robotic prosthetic he has achieved his lifelong goal with superhuman ability.
Ever looked at the household objects around you and thought to yourself "what would that sound like as a musical instrument?" Not really a question you think about, but one that definitely came up in my younger music nerd days! 'Mogees' looks to answer that question with a rather innovative piece of kit.
Such is the rapid nature of receiving an entirely new album in Be Frank, Furness by Heyward Howkins, following the truly captivating Hale & Hearty, you'd be forgiven to have a slight concern. I can safely say your worries are truly misplaced.
In judging this EP by its cover, I expected to hear other worldliness, Celtic ballads, or at the very least some panpipes. The promotional photographs for Natalie Earl’s (a.k.a. Helghyer) self released EP feature all the hallmarks of Gaelic promise: moorland, mist, scrubby plants…hell, she’s even wearing a cloak and holding a staff.
The Como Brothers are siblings from New York with music in their blood. The duo's rock with an alternative blues twist is perfect for any fans of John Mayer, The Black Keys, or the earlier material of Maroon 5.
“Aurganic” are two long-time friends based in Toronto/ New York who originally started in local punk rock bands together. The duos taste changed with the years, they now boast an alternative/ electronic mix using an exciting blend of synths, keys, guitars, bass, and vocals engineered through masterful programming. With a touch of an alternative rock feeling, fans of “Incubus” and “Muse” will see the guys’ new album "Deviations" released on September 24th, 2013 mixed into their favourite playlist.
The Boston Boys are an up and coming mix of classic folk rock with an electric feel, shown in their recent release Keep You Satisfied. Forming as a quartet while attending Berklee in Boston, Massachusetts in 2009, the electric bluegrass style of music is a great fit for any fans of Mumford & Sons.
Do you feel cereals don't pay a worthy tribute to your favourite rap legends? Well worry no more, as freelance designer Brittany Meronek has brough this to life, combining hip hop with nutritional value.
For the past few centuries, the piano has been commonplace in music. During this same period of time, the instrument hasn't really evolved either. Well that is until now, as the 'Touch Keys' DIY sensor kit brings touch sensitivity to the surface of piano keys, similar to the screen of a smartphone or tablet.
A team of four University of Exeter students have won $50,000 (£33,100) for developing an app that allows an infinite number of devices to play music simultaneously, effectively creating a symphony of speakers.
Twitter has officially the launched the much anticipated 'Twitter #Music,' its new music discovery and streaming app. This new service pulls trending data from both your followers and the wider community to make tailored music recommendations to you. Currently available on iOS or through the browser at music.twitter.com, it is currently not available for Android.
As per usual for UK electronic artist Bonobo, The North Borders starts off extremely well. 'First Fires' punctuates a beautifully understated vocal performance from Grey Reverend with submerged synth droplets and fleeting, glacial, ASMR inducing pads -- all enhanced by a confident and generous allowance for negative space that seems to only come with experience. In terms of perfect intros, it almost stacks up to the double barrelled future classic of Prelude/Kiara from 2010's Black Sands. Unfortunately, in this case there isn't a whole lot of interest that follows.
Musician-cum-electrician Jonathan Dagan, aka j.viewz, has turned fruits and vegetables into a range of musical instruments, electronically connecting them to a circuit board and playing the most nutritious version of Massive Attack's 'Teardrop' you've ever heard.
Danish four-piece Iceage combine Wire-esque post-punk with the looseness of noise rock and the detached angst of hardcore, managing to avoid the banality of the latter genre with a kind of implied futility in their ferocity and a total lack of macho posturing.
The Bronx’s sound has always been as close to the Platonic form of the rock n’ roll spirit as you can get; the perfect accompaniment to drinking, driving off ramps, gambling, mainlining coke, filibustering, tattooing yourself, shooting the most phallic of guns, fist-fighting and fucking, all at the same time (but maybe not with the same person for those last two).
With their fourth eponymous LP and first release in five years, the L.A punks have made a push towards more melodic territory, without compromising on their totally unique character.
Yo La Tengo's thirteenth LP is permeated with startling confidence and clarity, unpretentious in its accessibility and masterful in the art of understatement.
Opening track 'Ohm' is a bright, dreamlike anthem that gradually layers simple, subtly evolving elements which amount to a psychedelic crescendo in slow-motion. 'Cornelia and Jane', another standout, sees Georgia Hubley's gentle falsetto vocals drift over guitar melodies reminiscent of Death Cab For Cutie's Translantacism. It's all very soothing, like a day at Centre Parcs without the extortion.
Emily Capell’s website describes her music as “telling stories of celebrity lust, longstanding musical influences and the ups, downs and rounds and rounds of general adolescence”, which couldn’t be more true in her first EP, Who Killed Smiley Culture.